UNABASHED HONESTY (The religious life risks becoming a theater of many masks but few genuine faces)
Lately, I have been turning over the concept of hypocrisy—a thorny and, it must be said, rather unfashionable subject. In particular, I’ve been pondering whether there might be space for what one might term a kind of “healthy hypocrisy.” Admittedly, this is an unlikely notion, and one that seems to teeter perilously close to oxymoron. Yet, in its more redeeming guise, could such a paradoxical posture allow for a certain moral pliancy, a flexibility that might avoid the brittle rigours of absolute consistency? It’s an unsettling thought, but perhaps worth exploring. Who holds the moral authority to issue reproach? Let him who is without sin cast the first stone. My musings have been prompted, in part, by a return to Luigi Pirandello, particularly his exploration of masks and faces in the phenomenology of theatre. Of all his works, Uno, Nessuno e Centomila strikes me as especially apposite. “You will learn at your own expense,” Pirandello writes...